![]() Looking closely at the things we like and don’t like about them, we become clearer about our own taste: why we prefer certain degrees of looseness or tightness in composition, why we like some visual rhythms more than others, why we respond to specific types of palettes more than others. ![]() Others have what Vaclavik calls “objects radiating out of a central point,” sometimes reminiscent of a kaleidoscope’s mirror-image pattern of shifting shape and color.Ī visual logic is at work in each painting, even if it is a visual logic that is very nearly opposite to the one at work in an adjacent piece. Some are purely abstract bursts of contrasting color. Most of them depend on very different, nonfigural relationships between margins and center. ![]() Another places a luna moth in that position. One and only one features the central Buddha we associate with Asian mandalas. Likewise, the Mandalas share a few ground rules, but very few. The paintings in Zuzka Vaclavik’s Thirst, at.
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |